Marine Chagnon, a 24-year-old singer, already has many public appearances behind her. Trained at the Conservatoire Régional de Paris; In June 2013, she graduated from a singing prize unanimously. Currently, she specializes in early music with Isabelle Poulenard and Stéphane Fuget; and continues his lyric training at the C.R.R Boulogne-Billancourt with Esthel Durand. In parallel, Marine improves with Elène Golgevit, and follows masters classes such as Christine Schweitzer, Erika Guiomar, Dalton Baldwin, Lorraine Nubar, Roman Trekel, Mireille Delunsch.
This young mezzo-soprano sings the Chinese Cup and the Cat in « L’Enfant et les sortilèges » in a tour in Asia and Costa Rica (including the San José National Opera) and at the Théâtre du Châtelet as part of the “Early Concerts” “. She participates as a soloist in a stage adaptation of G. Verdi’s “Requiem” in various Parisian theaters, then at the Amphitheater of the Paris Opera. She became the First Daughter of the Rhine with Bo Skhovus in Jarell’s world premiere “Siegfried Nocturne” at the Comédie de Genève (Switzerland) and as part of a charity concert, she was a soloist in the “Gloria” of A. Vivaldi with the counter-tenor Philippe Jarrousky and embodies a few months later the role of Dido in “Dido & Eneas” by H. Purcell (dir: R. Dumas) at the Temple of Pentemont. After being invited by the Musical Academy of Villecroze to participate in the master class of Jean-Philippe Lafont, Marine is selected by the Academy of Royaumont to participate in a master-class given by Mireille Delunsch and Emmanuel Olivier. Subsequently, she is Barberina in WAMozart’s “Le Nozze di Figaro” (directed by Julian Smith, C. Agnello) at the Oradea Opera in Romania, then participates in the interpretation workshop of ” The Viaggio a Reims by G. Rossini (directed by C. de Aragon, S. Grögler) for the role of Maddalena and Delia at the Abbey of Royaumont. She was invited to a festival in Sicily to sing Lola in Mascagni’s “Cavalleria Rusticana”, a role she will play a few months later in Paris accompanied by the Ut Cinquième orchestra under the baton of Romain Dumas. In 2016, Marine works with the ensemble La Fenice (Jean Tubery) on a repertoire of Italian music of the XVIIth century, interprets the Fortuna in “Il Ritorno of Ulysse in Patria” by C. Monteverdi under the direction of Stéphane Fuget, then changes costume to become Nancy in “Albert Herring” by B. Britten, directed by Javier Gonzales Novales and directed by Yves Coudray. She is laureate of the academy of Frivolités Parisiennes for the year 2016/2017.
Marine made her debut at the Opéra de Dijon in September 2017 as Euridice of C. Monteverdi’s “Orfeo”, with the ensemble Les Traversées Baroques and in a staging by Yves Lenoir. His future projects will be Mozartian with Cherubino of the “Nozze di Figaro” in the next staging of Mireille Delunsch, and Annio of the “Clemenza di Tito”, production that will take its place in the 2016/2017 season of the Dijon Opera .
For summer 2017, she will be Celso in Cesti’s “Il Tito”, directed by Stéphane Fuget, and Gorget in Offenbach’s “Three Kisses of the Devil” staged by Yves Coudray at the Etretat festival.
She joined the National Conservatory of Paris at the beginning of this school year.